Aleksey Savrasov

Aleksey Savrasov

Alexei Kondratyevich Savrasov was a Russian landscape painter and creator of the lyrical landscape style.

Savrasov was born into the family of a merchant. He began to draw early and in 1838 he enrolled as a student of professor Rabus at the Moscow School of Painting, Sculpture and Architecture (graduated in 1850), and immediately began to specialize in landscape painting.

In 1852, he traveled to Ukraine. Then, in 1854 by the invitation of the Grand Duchess Maria Nikolayevna, President of the Imperial Academy of Arts, he moved to the neighborhood of St. Petersburg. In 1857, Savrasov became a teacher at the Moscow School of painting, sculpturing and architecture. His best disciples, Isaac Levitan and Konstantin Korovin, remembered their teacher with admiration and gratitude.

In 1857, he married Sophia Karlovna Hertz, sister of art historian K. Hertz. In their home they entertained artistic people and collectors including Pavel Tretyakov. Savrasov became especially close with Vasily Perov. Perov helped him paint the figures of the boat trackers in Savrasov's Volga near Yuryevets, Savrasov painted landscapes for Perov's Bird catcher and Hunters on Bivouac.

In the 1860s, he traveled to England to see the International Exhibition, and to Switzerland. In one of his letters he wrote that no academies in the world could so advance an artist as the present world exhibition. The painters who influenced him most were British painter John Constable and Swiss painter Alexandre Calame.

The Rooks Have Come Back (1871) is considered by many critics to be the high point in Savrasov’s artistic career. Using a common, even trivial, episode of birds returning home, and an extremely simple landscape, Savrasov emotionally showed the transition of nature from winter to spring. It was a new type of lyrical landscape painting, called later by critics the mood landscape. The painting brought him fame.

In 1870, he became a member of the Peredvizhniki group, breaking with government-sponsored academic art. In 1871, after the death of his daughter, there was a crisis in his art. The misfortunes in his personal life and, possibly, dissatisfaction with his artistic career were the reasons of his tragedy—he became an alcoholic. All attempts of his relatives and friends to help him were in vain.

The last years of his life Savrasov led the life of a pauper, wandering from shelter to shelter. Only the doorkeeper of the Moscow School of painting, sculpturing and architecture and Pavel Tretyakov, founder of the Tretyakov Gallery, were present at his funeral in 1897.

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at the cemetery 1884

at the cemetery 1884

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monastery gates 1875

monastery gates 1875

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waterfall 1868

waterfall 1868

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river landscape

river landscape

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volga near gorodets 1870
forest 1877

forest 1877

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riverbank be

riverbank be

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spring 1874

spring 1874

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winter landscape rime

winter landscape rime

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early spring 3

early spring 3

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winter

winter

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do icons

do icons

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oak

oak

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compressed field 1874

compressed field 1874

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early spring 4

early spring 4

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evening landscape 1861
country scene

country scene

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winter landscape

winter landscape

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pond at dusk 1879

pond at dusk 1879

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swiss form 1862

swiss form 1862

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a spring day 1873

a spring day 1873

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in the park 1858

in the park 1858

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savvinskaya sloboda

savvinskaya sloboda

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autumn sokolniki

autumn sokolniki

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bonfire of the river

bonfire of the river

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spring thaw

spring thaw

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the volga river vistas
spring day

spring day

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summer landscape 1860

summer landscape 1860

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grave 1884

grave 1884

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sea of mud 1894

sea of mud 1894

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evening 1

evening 1

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moonlit night 1853

moonlit night 1853

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autumn night 1872

autumn night 1872

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courtyard winter

courtyard winter

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rooks have returned 1871
landscape with pine 1854
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